Red gels were added on either side of the back lights. Initially these created a deep red, not what we were looking for, but it made for a funny test shot - this is Kyle at his best!
After a few tweaks we matched the tone nicely with the models skin tone and generated a lovely peachy/pink tone. The background could have been dropped in later in post production, but when working on a shoot like this, we aim to get the photographs as close to the brief as possible in camera.
Traditionally, make-up of this era was quite heavy and chalky. We asked the Make Up Artist Margaret-Anne to use an old English rose colour palette but with a fresher dewy finish instead. The rose pink cheeks and pale undertones work really well with the over all style of the image. Everything came together nicely.
I converted the file and only did a very small amount of post production. Whilst initially we were happy with the way the image was shot in camera, when I had processed it, I thought that perhaps it would look better desaturated to produce a more vintage tone.
The Saturated Image |
The Final Image |
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The image produced in 1920 is still looking new and fit to new era. Producing image in old style is so creative idea.
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Thank you for your lovely comment on our portraits :-)
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